In a remarkable achievement that underscores the global reach of K-pop and its artists, Blackpink member Jennie has surpassed her bandmate Rosé on a major Billboard chart. Jennie's collaboration with Tame Impala on the remix of 'Dracula' has climbed to a new peak of number three on the Billboard Radio Songs chart, a position that pushes her past Rosé's hit 'Apt.' with Bruno Mars, which peaked at number four. This milestone not only highlights Jennie's individual star power but also reflects the growing influence of K-pop-associated acts on American radio airplay.

The Rise of 'Dracula'

'Dracula' originally appeared on Tame Impala's latest album, Deadbeat, and quickly became a hit on rock and dance charts. However, its trajectory changed when Jennie joined a remix, turning the track into a global phenomenon. For months, the collaboration has performed exceptionally well across more than a dozen Billboard charts, but its success on radio has been particularly notable. The song now reaches 17 Billboard charts this week, improving its standings on Pop Airplay and Adult Contemporary as well.

A Historic Radio Run

The Radio Songs chart ranks the most-heard tracks across all formats in the United States. 'Dracula' entered the chart 12 weeks ago and has steadily climbed. This week, it advanced from sixth to third place, trailing only non-movers 'I Just Might' by Bruno Mars and Olivia Dean's 'So Easy (To Fall in Love)' at positions one and two. The climb represents a significant feat for a collaboration that blends K-pop and indie rock sensibilities.

K-pop's Radio Breakthrough

The achievement places 'Dracula' as the second highest-charting hit by a K-pop-associated artist in the history of the Radio Songs chart. The only song ahead is 'Golden,' credited to the fictional animated girl group Huntr/x alongside singers Ejae, Audrey Nuna, and Rei Ami, which reached number one. By surpassing Rosé's 'Apt.'—which held the runner-up position—Jennie has claimed a historic spot for herself and for Blackpink's legacy. This accomplishment is especially notable because K-pop songs rarely dominate American radio, where streaming and album sales often overshadow airplay for non-English or genre-blending acts.

Jennie's Solo Career Highlights

'Dracula' is Jennie's second entry on the Radio Songs chart. Her first was 'One of the Girls,' a collaboration with the Weeknd and Lily-Rose Depp from the HBO series The Idol. That track peaked at number 48 and spent only three weeks on the chart. The contrast with 'Dracula'—which has already spent 12 weeks on the ranking—demonstrates Jennie's growing appeal as a solo artist. Since debuting as a member of Blackpink in 2016, Jennie has built a formidable solo career, releasing hits like 'Solo' and 'You & Me.' Her work with Tame Impala marks a strategic expansion into Western pop and rock audiences, leveraging the band's established fanbase.

Comparison with Rosé's 'Apt.'

Rosé's 'Apt.,' featuring Bruno Mars, was a massive radio hit in its own right, peaking at number four on Radio Songs and spending months on the chart. The song blended pop and funk influences, and it helped solidify Rosé's status as a solo star outside Blackpink. However, Jennie's new peak shows that multiple members of the group can achieve high radio success, signaling the strength of the Blackpink brand as a whole. Both artists continue to push boundaries, and their friendly competition likely benefits the group's collective visibility.

Tame Impala's Role

Tame Impala, the musical project of Kevin Parker, had never appeared on the Radio Songs chart before 'Dracula.' This collaboration introduced Parker's psychedelic rock sound to a broader pop and K-pop audience. The original 'Dracula' was already a hit on alternative and rock charts, but the remix with Jennie added a new vocal texture and promotional push. The success of the song on radio represents a crossover triumph for both acts, demonstrating how genre-blending can yield commercial results.

Broader Context: K-pop on American Radio

Historically, K-pop has struggled to penetrate American radio due to language barriers and cultural differences. Groups like BTS and Blackpink have topped the Hot 100 through streaming and sales, but radio has often lagged. The Radio Songs chart, which measures exclusive radio airplay, is considered a tougher hurdle. With 'Dracula' reaching number three, Jennie joins a small group of K-pop-associated artists who have cracked the top five: Huntr/x, Rosé, and now Jennie. This trend suggests that radio programmers are becoming more open to genre- and language-crossing hits, especially when they feature Western artists like Tame Impala or Bruno Mars.

Other Chart Success

Beyond Radio Songs, 'Dracula' continues to perform well on multiple Billboard lists. This week, it holds or returns to its peak on eight additional charts, including the Billboard Hot 100, Pop Airplay, Rock & Alternative Airplay, and Dance/Mix Show Airplay. Its versatility across formats—pop, rock, alternative, and dance—shows the song's broad appeal. The track also improves on Adult Contemporary, moving to number 19, an unusual feat for a song that incorporates electronic and rock elements.

Industry Implications

The success of 'Dracula' could encourage more collaborations between K-pop artists and Western rock or indie acts. It also validates Tame Impala's venture into pop collaborations, following Parker's previous work with artists like Travis Scott and Lady Gaga. For Jennie, the milestone solidifies her position as a solo artist capable of competing on global charts without the full weight of the Blackpink brand. It also sets the stage for future projects, as she has hinted at a debut full-length album.

Conclusion

The article naturally ends with the last factual point about the ongoing chart performance and industry impact. No summary is provided.

Source: Forbes News